Azadón Lane No. 2 de 2.0 lb, sin mango, TRUPER
Azadón Lane No. 3 de 2.1 lb, mango de acero 54′, TRUPER
Azadón Lane No. 3 de 2.1 lb, mango de fibra 54′, TRUPER
Azadón Lane No. 3 de 2.1 lb, mango madera de 54′, TRUPER
Azadón Lane No. 3 de 2.1 lb, sin mango, TRUPER
Azadón mezclero, cabeza forjada 10′, mango de 60′, TRUPER
Azadón mezclero, cabeza forjada 7′, mango de 60′, TRUPER
Azadón oreja y martillo No. 1 de 2.6 lb, mango de fibra 54′
Azadón oreja y martillo No. 1 de 2.6 lb, sin mango, TRUPER
Azadón oreja y martillo No. 2 de 2.8 lb, mango de fibra 54′
Azadón oreja y martillo No. 2 de 2.8 lb, sin mango, TRUPER
Azadón oreja y martillo No. 3 de 3.3 lb, mango de fibra 54′
Azadón oreja y martillo No. 3 de 3.3 lb, sin mango, TRUPER
Azadón para jardín, mango de 12-1/4′, TRUPER
Azadón para niños con mango de 42′, TRUPER
Azadón tomatero, mango corto de madera 18′, TRUPER
Azadón triangular jardinero, mango de madera 54′, TRUPER
Banda de repuesto p/revolvedora de cemento RECE-160P, PRETUL
Banda de repuesto para CEPEL-3-1/4A4, TRUPER
Banda de repuesto para CEPEL-3-1/4N, TRUPER
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.
