Válvula horizontal de latón 1/8′ para gas LP, sin maneral
Válvula interna de seguridad para tanque estacionario, 1′
Válvula para cilindros de gas LP hasta 45 kg, FOSET
Válvula para fumigador a batería FUB-18, TRUPER
Válvula para fumigadores a gasolina FUG-252, FUG-254, TRUPER
Válvula plástica de llenado para flotador, 1/2′, FOSET
Válvula plástica de llenado para flotador, 3/4′, FOSET
Válvula reductora de presión 1/2′, FOSET
Válvula reductora de presión 3/4′, FOSET
Válvula reguladora de salida para compresor, 10L, TRUPER
Válvula reguladora para compresores 25/50L, TRUPER
Válvula reguladora para compresores 25/50Q, TRUPER
Válvula solenoide para llave de sensor LLS-L, FOSET
Varilla de acero de 15 cm para flotador, FOSET
Varilla de acero de 22 cm para flotador, FOSET
Varilla de acero de 27 cm para flotador, FOSET
Varilla de puesta a tierra de 1/2′ x 1.5 m, VOLTECK
Varilla mezcladora para MEZ-150N, TRUPER
Varilla naranja XP para fumigadores FUM-12, 16 y 20, TRUPER
Varilla para fumigadores a gasolina FUG-252, FUG-254, TRUPER
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.












