12 anclajes para amarre de carga, anillo en ‘D’ espesor 1/8′
2 bastidores para carretilla CAT-KID, TRUPER
2 bisagras bidimensionales 110°, cobertura completa, HERMEX
2 bisagras bidimensionales 110°, cobertura interna, HERMEX
2 bisagras bidimensionales 110°, cobertura media, HERMEX
2 bisagras bidimensionales 135°, cobertura interna, HERMEX
2 bisagras bidimensionales 165°, cobertura completa, HERMEX
2 bisagras bidimensionales 90°, completa, brazo corto
2 bisagras bidimensionales 95°, cobertura completa, HERMEX
2 bisagras bidimensionales 95°, cobertura interna, HERMEX
2 bisagras bidimensionales 95°, cobertura media, HERMEX
2 Clavijas de PVC, VOLTECK
2 Clavijas no polarizadas planas de policarbonato, VOLTECK
2 Clavijas no polarizadas redondas de PVC, VOLTECK
2 Contactos de PVC, VOLTECK
2 Escuadras magnéticas esquineras 2-3/4′ carga 11 kg, TRUPER
2 estabilizadores calibre 15 p/carretillas TRUPER y EXPERT
2 patas de goma para compresores Grupo 6, TRUPER
2 piezas cuchillas carburo de tungsteno para CEPEL-3-1/4A4
2 piezas cuchillas carburo de tungsteno para CEPEL-4-1/2NX
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.












